Ten years ago, I knew next to nothing about Catholic music. I
knew that something was not right in the parish music program. I
had some sense that the fix for the problem was somewhere in our
history and tradition, somewhere in some dusty books somewhere, and
the answer surely had something to do with preconciliar practice. I
intuited this just because the Second Vatican Council represented
something like a gigantic shift, and older people reinforced this
to me with harrowing stories of living through the turbulent
times.
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